Angeliki Tzortzakaki (Heraklion, 1990) is an Amsterdam-based writer and curator mainly specialized in time-based arts and particularly interested in practices related to labour, hospitality and care from a feminist perspective. Her academic background is in Economics and Art Theory which has been developed in Greece and Italy. She is a member of the organic collective bi- and fellow of the research program “A Natural Oasis?” focused on geopolitical peculiarities in the Mediterranean areas that are considered remote and insular.

Anna Lemonaki is a Greek artist with a degree in Political Sciences from Athens and Bergen (2006) and a MA in Sociology and Media at the University of Fribourg. In 2010 she joined the Serge Martin Theater School in Geneva, and her graduation she attended workshops with Susan Batson at Interkunst (Berlin, 2014 and 2017). ), Andreas Manolikakis (Chair of Actors Studio New York) in Athens and Damian De Schrijver (TgStan-Belgium) in Geneva in 2018. Anna has performed in and directed many performances and cinema productions and in 2015 she founded the experimental theatre music company Cie Bleu in Haut Bleu en Bas with the musician Samuel Schmidiger where she has staged BLEU (2016), P.E.T.U.L.A. bye bye (2017) and FUCHSIA SAIGNANT among others. She has been author in residency at the Théâtre Saint-Gervais (2015-2017) and at the Flux Laboratoire (2017-2018) in Geneva.

Christina René is a visual artist with a degree in Fine Arts – Sculpture and performance art from Bergen Academy of art and design (BA, 2016) and the Royal Institute of Art in Stockholm (MA, 2018). Christina’s art projects are generally about; how it is to be existing in different conditions, shapes and contexts,  and how one is feeling in those conditions, shapes and contexts. Her belief is that the existence is forced, entangled and nomadic. This is what she’s exploring through performance, sculpture, collage and choreographic language and her own methods and manifests. Christina’s practice is sculptural, performative and scenographic.

Dagmar Radmacher (MA RCA) is a Copenhagen based visual artist focusing on repetitive, slowed down, destructive and dogmatic processes. Works often have an aspect within a public performance, thus stressing the focus on the process as well as creating a kind of visual dialogue and forcing the slow, repetitive process out of the mystical privacy of the artists studio.

Fanny Martin is a producer and cultural strategist currently based in Toronto, Canada – the 7th city she calls home so far. She works with artists, activists, educators, researchers, technologists and communities to disrupt and enchant the everyday, with a focus on festivals, public space, lifelong learning, improvisation, creating space for exchange and making time for art.

www.artoffestivals.com

Jenny Marketou is a multidisciplinary artist, arts educator, researcher and author born in Athens. She lives and works between New York and Athens. She is the recipient of many prestigious grants, art residencies and fellowships and she has lectured internationally. Her work has been featured in museums,art biennials and festivals worldwide and most recently in Documenta 14, Parliement of Bodies, Athens/Kassel. Jenny’s work engages multiple mediums — video, installation, photography, public interventions, web based projects, publications .Her reasarch projects address the use of art as a tool for social and ecological change with focus on initiating methods and formations which deal with the performativity of learning and commoning.

Katariin Raska is a multi-instrumentalist musician based in Tallinn, Estonia, whose work is based mainly around the instruments she plays, their sound, histories and playing techniques. She has been educated at University of Tartu’s Viljandi Culture Academy, the Norwegian Academy of
Music and the Royal Conservatory of Brussels. Katariin is one of the front figures in Estonian jaws harp music and the revolutionist of improvisational music on Estonian bagpipes.

Lara Magdalena Tacke, born in Germany in 1991, is a writer and director. She studied cultural studies and art history at the Humboldt-Universität zu Berlin while working as a studio assistant for Andreas Slominski. From 2015 to 2019 she completed her studies in stage directing at the Ernst Busch Academy of Dramatic Arts, Berlin and at the Danish National School of Performing Arts in Copenhagen. Her work moves between the realms of site-specific, installation and theater.

Lisa Brüning is a German theatre-director and performing artist from Berlin. She graduated at Hochschule für Schauspielkunst Ernst Busch and works internationally as performer and director at state- & off-theatres e.g. Volksbühne Berlin, Théâtre National du Strasbourg, Staatstheater Oldenburg, Yoram Löwenstein Studio of Performing Arts Tel Aviv, Teaterøen Copenhagen. Her artistic focus is autobiographical work and the social impact of privacy.

Mette Slot Johnsen is a London based Danish artistic producer/ writer/ event programmer/ live music and performance coordinator, with an education background in a BA. Hons in Media & Cultural Studies from Queen Margaret University in Edinburgh. This degree included writing a dissertation in Popular Musicology on Danish government funding of non-classical music. Since moving to London in 2006 she has been working in Danish music project managing and producing a series of showcases, been a venue programmer at Kings Place, produced concerts for EFG – London Jazz Festival and worked for various music booking agencies, venues, promoters and festivals including End of The Road Festival.

Mie Mortensen writes (non-fiction, a dissertation), researches (architectural drawings, Russian culture), and translates (English, Danish, Russian). She is currently enrolled in a PhD program at Columbia University in New York City, where she is writing a dissertation about the paper architecture of Soviet architect Ivan Leonidov. Mie is interested in understanding artistic practices not only through academic research, but also by exploring various artistic media herself. More information and contact info can be found on her website https://miemortensen.com

Mingo Rajandi is a composer, double bass player, performer, leader of many ensembles and creator of different interdisciplinary projects. Her background is in theatre and music studies and she likes to mix different styles and genres in her art. Social, political and environmental issues have become more and more important in her work, but she often gets inspired by poetry, different cultures and languages. She is based in Tallinn, Estonia.

Teresa Howard is trained in mime and devised physical theatre. She’s writing the musical adaptation of  William Nicholson’s The Wind Singer with composer Sarah Llewellyn – residency and development at the Royal Shakespeare Company, BEAM showcase at the Theatre Royal Stratford East and Peggy Ramsay Foundation Award. Book and lyric writer of Dodie Smith’s I Capture the Castle, with music by Steven Edis (UK Tour) and also collaborated with Edis on Possessed a Pre-Raphaelite musical (Camden People’s Theatre). Stage plays include Grock (Chichester Festival Theatre).

Represented by: Kate Weston at JFA katew@janetfillingham.com